Human behavior patterns often make no objective sense, but make perfect sense if you role-play what the participants are feeling. Here in Kanazawa, the school only has one staff member (other than teachers), Yasuko-san. Yasuko-san ends up helping out everyone with schedules, arrangements, reservations, and the thousand other details involved with traveling in a non-English-speaking country. So, there's usually a clot of students waiting to speak to Yasuko at the breaks.
Both in May and on this trip I saw a distinct behavior pattern emerge. Yasuko speaks English well, but is a native speaker of Japanese and encourages people to speak to her in Japanese as much as possible (better for learning!). Because of that, there's a clear pecking order that's established around her: the advanced students who can speak easily in Japanese will go ahead and speak, while the students who need to use English to ask their question will hang back and wait for a turn.
This beahvior sorts almost perfectly along level of education in Japanese. Obviously, there's a little bit of personality variation to it, but not a lot: some of the least social students, so long as they are advanced speakers of Japanese, speak up the quickest in this environment. And even the most social students will hold back when a advanced student is having a rapid-fire conversation with Yasuko.
Of course, logically, this is silly because the students who can't yet speak in Japanese are usually the ones that most need Yasuko's help! The advanced students may just be telling a story or asking about something trivial, whereas the beginning students need something more important (like how to get home!). But in terms of the ego of the individual, it makes perfect sense: the advanced students are speak out because they don't fear ridicule or correction (even if they are corrected, they'll simply take that as a learning experience). Not only do the beginning students have more anxiety around speaking out in Japanese, they feel the penalty of interrupting a rapid conversation with one that's likely to be much slower. So, they'll wait for a quiet moment to start their own question (and quiet moments, around Yasuko, aren't so likely to happen!). These factors play out at each different skill level down the experience levels of the students, with the pecking order behavior as the result!
30 September 2004
28 September 2004
Variety
Once again, I'm struck by being in an incredibly international group. I just started Japanese class here in Kanazawa again, and even though the group is very small this time (11 students), it's incredibly diverse. We have three Swiss (Eurocentres is headquartered in Switzerland); two Germans; a Brazilian; an Italian; a Dutch woman; an English woman; and three Americans. For two people, both of their parents are Japanese; one of them already speaks good Japanese, the other does not; for one more person, one of their parents is Japanese. We have at least one person who loves Manga and Anime (that was also true when I came in May), and two doctors. We have two University students and several retirees. I go through the list because I'm continually amazed at the complexity of the world whereby all of us come and find common interest in learning Japanese in this particular school, in this particular town, in this particular month.
27 September 2004
Japanese Cellphones
I just returned to Japan, and cellphones (or 'keitai' as they're called here) have changed dramatically since I was here in May! I spent several weeks in Japan in May of this year, and I was amazed by the keitai culture -- everyone in Japan has a cellphone, and uses it constantly, rarely for talking! The most common use of the keitai is for instant messaging, but the next most common is for photos and after that comes games (Japanese talk on their cellphones way less than Americans actually, the prohibition against annoying others is much stronger here!).
Anyway, between May and now there was a noticeable change in Japanese cellphones. The camera-in-phone craze had just started then, and between then and now it has bloosomed mightily, as has GPS-in-cellphone and cellphone-as-picture-archive. As a result, Japanese cellphones today are noticeably larger than May's versions were; they have a good camera, tons of capacity for storage, a nice big display and lots of features as compensation for the extra size.
After I returned from Japan in May, I had cellphone envy so I went out and upgraded to a cool new Sony-Ericsson T616. At this point that phone (my American cellphone) is smaller than most Japanese cellphones! On the other hand, it doesn't have the multi-megapixel camera of the latest Japanese phones, or a built-in GPS either ;-).
four comments from old blog site:
Are Japanese celluar companies more expensive than the states?:-I
Sweety (godsbabylove_1 at hotmail dot com) - 12 June '05 - 20:50
Nope, if anything somewhat cheaper. Like here, there’s a huge variety of plans and discounts with service, but they weren’t more expensive particularly when I was there in Oct. 2004.
Leo - 15 June '05 - 02:48
I have a Samsung Triband cell phone. Does anyone out there knows how I can make my cell phone work in Japan?? I will really appreciete an answer. Thank you.
Ron Thompson (randolph.thompson bnet dot net dot tr) - 18 June '05 - 00:06
No, it won’t. Although the Japanese phones use the GSM standard, they use it on a different frequency band than the rest of the world (see, for instance, http://www.geckobeach.com/cellular/artic..).
If you’re going to be in Japan for more than a few days, the cheapest thing to do is to buy a prepaid card phone from Vodaphone once you arrive in Japan. It’ll set you back about $50 if you buy the dead-cheapest one, and after that you’ll use up the prepaid cards as you call. Most combinis (convenience stores) have new cards.
If you’re only there for a few days, you can rent a phone at the airport, I’ve used Telecom Square before http://www.telecomsquare.co.jp/sights/e_.. (they’re half the price of the Vodaphone rental service), but it’s about $5/day and the per-minute charges are much higher than the prepaid phones.
Lastly, my US provider (AT&T Wireless) actually has a plan where they’ll rent you a Japanese phone here in the US before you leave. It’s not a great deal, mostly because it’s a handset that roams on your US number—meaning anyone in Japan who wants to call you has to call the US (and get charged), and then you get charged the roaming fees. But if you must-must-must be available at your US number while you’re gone it’s a way to do it.
Leo
Anyway, between May and now there was a noticeable change in Japanese cellphones. The camera-in-phone craze had just started then, and between then and now it has bloosomed mightily, as has GPS-in-cellphone and cellphone-as-picture-archive. As a result, Japanese cellphones today are noticeably larger than May's versions were; they have a good camera, tons of capacity for storage, a nice big display and lots of features as compensation for the extra size.
After I returned from Japan in May, I had cellphone envy so I went out and upgraded to a cool new Sony-Ericsson T616. At this point that phone (my American cellphone) is smaller than most Japanese cellphones! On the other hand, it doesn't have the multi-megapixel camera of the latest Japanese phones, or a built-in GPS either ;-).
four comments from old blog site:
Are Japanese celluar companies more expensive than the states?:-I
Sweety (godsbabylove_1 at hotmail dot com) - 12 June '05 - 20:50
Nope, if anything somewhat cheaper. Like here, there’s a huge variety of plans and discounts with service, but they weren’t more expensive particularly when I was there in Oct. 2004.
Leo - 15 June '05 - 02:48
I have a Samsung Triband cell phone. Does anyone out there knows how I can make my cell phone work in Japan?? I will really appreciete an answer. Thank you.
Ron Thompson (randolph.thompson bnet dot net dot tr) - 18 June '05 - 00:06
No, it won’t. Although the Japanese phones use the GSM standard, they use it on a different frequency band than the rest of the world (see, for instance, http://www.geckobeach.com/cellular/artic..).
If you’re going to be in Japan for more than a few days, the cheapest thing to do is to buy a prepaid card phone from Vodaphone once you arrive in Japan. It’ll set you back about $50 if you buy the dead-cheapest one, and after that you’ll use up the prepaid cards as you call. Most combinis (convenience stores) have new cards.
If you’re only there for a few days, you can rent a phone at the airport, I’ve used Telecom Square before http://www.telecomsquare.co.jp/sights/e_.. (they’re half the price of the Vodaphone rental service), but it’s about $5/day and the per-minute charges are much higher than the prepaid phones.
Lastly, my US provider (AT&T Wireless) actually has a plan where they’ll rent you a Japanese phone here in the US before you leave. It’s not a great deal, mostly because it’s a handset that roams on your US number—meaning anyone in Japan who wants to call you has to call the US (and get charged), and then you get charged the roaming fees. But if you must-must-must be available at your US number while you’re gone it’s a way to do it.
Leo
22 September 2004
The Ultimate Kitty Toy
Here's a cheap tip for you guitar players with cats. One of the things I wanted to do before taking off for Japan was change the strings on my guitar. As I was doing that tonight, I discovered the cutest kitty toy ever: An old low E string. You hold onto the tuning machine (i.e., sharp) end, and the bridge nut becomes the object of total fixation. Best of all, the metal string has enough springiness to be intrinsically fun, you don't have to dangle it or anything; it will oscillate all by itself. It's absolutely indestructible, so the kitty can claw and chew all they want, and it's shiny so it glints and calls to them. It's hard but not impossible to catch... what more could you want! Whee! Obviously, if you let the cat have the whole string, be sure to wind off the sharp wire end.
My cat is tired but very fascinated right now.
My cat is tired but very fascinated right now.
19 September 2004
Sky Captain, the biggest waste of Art Direction since Fifth Element
I just saw Sky Captin and the World of Tomorrow, and there's never been a movie that took me out of the film so many times. While the posters show off some of the gorgeous art direction in this film, the film is terrible. Over and over again something happens -- whether in plot, character, or effects -- that takes you right out of the film.
* "Paley", the boss character at Gwyneth Paltrow's newspaper, is trying to be Lou Grant. But they forgot that the fruff-but-caring character has to be gruff before he can be caring. His first line is, "Polly, I don't want you getting mixed up in this."
* A scientist steps on a plate which passes him through the Van de Graf generator and turns him into bones... bones which have a richly textured, pitted look like absolutely nothing else in the entire movie (can you say, "Additional Visual Effects by...").
* Jude Law's P-40 (the Flying Tigers plane) flies from New York to Nepal. And back (admittedley, partway back he does run out of fuel).
After seeing the movie, I read some of the background information about how it's the "first live-action picture made entirely with computer-generated sets." Both this movie and Final Fantasy show why that's a bad idea; conveyance of emotions is not supported by the performances or flow in this movie. We've seen the lead actors be good elsewhere, so you can't blame it on them... From the footage I've seen so far, Polar Express later this year may put another nail in the coffin of the idea that performance capture and virtual sets are a good way to make [an entire] movie.
There is a lot of good work in the film (primarily art direction, but also Giovanni Rabisi as the show-stealing sidekick. "I meant, throw something" is a great line. If you're cursed enough to see this film, be sure to watch for him!
* "Paley", the boss character at Gwyneth Paltrow's newspaper, is trying to be Lou Grant. But they forgot that the fruff-but-caring character has to be gruff before he can be caring. His first line is, "Polly, I don't want you getting mixed up in this."
* A scientist steps on a plate which passes him through the Van de Graf generator and turns him into bones... bones which have a richly textured, pitted look like absolutely nothing else in the entire movie (can you say, "Additional Visual Effects by...").
* Jude Law's P-40 (the Flying Tigers plane) flies from New York to Nepal. And back (admittedley, partway back he does run out of fuel).
After seeing the movie, I read some of the background information about how it's the "first live-action picture made entirely with computer-generated sets." Both this movie and Final Fantasy show why that's a bad idea; conveyance of emotions is not supported by the performances or flow in this movie. We've seen the lead actors be good elsewhere, so you can't blame it on them... From the footage I've seen so far, Polar Express later this year may put another nail in the coffin of the idea that performance capture and virtual sets are a good way to make [an entire] movie.
There is a lot of good work in the film (primarily art direction, but also Giovanni Rabisi as the show-stealing sidekick. "I meant, throw something" is a great line. If you're cursed enough to see this film, be sure to watch for him!
12 September 2004
Losing Tactics
The Democratic candidates and party machinery continue to disappoint with bad choices of issues and angles. Everything I've read or received lately about the election has been depressing, and not simply because the W. has climbed out to a lead. I've become more and more convinced that the reason the Republicans have won control of the country is because they actually do have more clear convictions about how the place should be run (convictions I happen to disagree with, but nevertheless).
The specific depressing item was the report that the Democrats have decided to run on the economy as their big issue. If this pans out in their strategy, we can only hope the W. does something really stupid, because it's a losing issue. On its own right, it fails for the simple reason that in most of America, the economy isn't that broken. There's a related issue that might be a winner (job security), but for most Americans, there is work and people are spending.
But that's not the real reason the economy is a terrible choice. The fact is, the issue of this election is 9/11 and our response to it, up to and including Iraq. There's no reason to avoid that issue, as long as you're willing to speak clearly on it (Point #1: Our reponse to terrorism has inflamed much of the world against us, and made our country palpably less safe; Point #2: As President, George W. Bush knowingly lied to the public about Iraq in order to drum up support for an immoral war that is unrelated to the war on terrorism). Alas, the Democratic nominee is unwilling to speak clearly on these points, and so the entire issue now needs to be avoided.
--sigh-- The lack of clear thinking, the lack of strong ideas -- these days, liberalism is defined by what it's against rather than what it is for.
The specific depressing item was the report that the Democrats have decided to run on the economy as their big issue. If this pans out in their strategy, we can only hope the W. does something really stupid, because it's a losing issue. On its own right, it fails for the simple reason that in most of America, the economy isn't that broken. There's a related issue that might be a winner (job security), but for most Americans, there is work and people are spending.
But that's not the real reason the economy is a terrible choice. The fact is, the issue of this election is 9/11 and our response to it, up to and including Iraq. There's no reason to avoid that issue, as long as you're willing to speak clearly on it (Point #1: Our reponse to terrorism has inflamed much of the world against us, and made our country palpably less safe; Point #2: As President, George W. Bush knowingly lied to the public about Iraq in order to drum up support for an immoral war that is unrelated to the war on terrorism). Alas, the Democratic nominee is unwilling to speak clearly on these points, and so the entire issue now needs to be avoided.
--sigh-- The lack of clear thinking, the lack of strong ideas -- these days, liberalism is defined by what it's against rather than what it is for.
18 August 2004
Druggies no longer mainstream?
Harold & Kumar Go To White Castle is a really funny movie, but it isn't making any money. Are Americans too conservative for stoner comedies nowadays? So, from the first time I saw the preview, I was psyched about the movie "Harold & Kumar Go To White Castle." I grew up in Michigan, and down in Ann Arbor where I went to college we had a White Castle out on the south side of town. It was the perfect destination late at night, when nothing but greasy tasteless food would do. So I was psyched by the trailer for Harold & Kumar, and even more so by encouraging early reviews.
I went to see the movie last weekend, and it is a damn funny movie. The two leads are both great, and although many of the jokes are stupid (this is a stoner comedy, after all), there are some great moments ("Dude, did Doogie Howser just steal your car?" is about as good as this kind of movie gets). However, despite all that, this movie isn't making any money. As of the end of this weekend (it's second in release), "Harold & Kumar" has fallen out of the top ten and has only grossed $15.9M so far. So, the bottom line is, America is not warming to this movie.
I'm really starting to wonder whether America is simply too conservative for stoner comedies anymore. There's no escaping the fact that H&K->WC is all about getting stoned; it's the pot that's the motivation for their frantic White Castle search in the first place. Critics generally dealt with this pretty well (H&K is at 73% positive reviews on www.rottentomatoes.com), but it could be that the movie-going audience doesn't. While critics tend to be older, the prime movie-going audience is in the 18-25 age range, and that younger audience is notably more conservative than older folks these days, especially with regards to drugs (they didn't grow up with the counterculture).
It's sad. No more Bill & Ted's, no more Ferris Bueller... oh, well. At least we're smoking less (aren't we?)
one comment was posted on this back on my old blog:
i agree those movies are some of my favorites….American Culture is way too uptight for this kinda of humor…but hey at least we enjoy it!!!
Tasha (email is waterskiingchk88 at aol dot com) 29 July '05 - 13:32
I went to see the movie last weekend, and it is a damn funny movie. The two leads are both great, and although many of the jokes are stupid (this is a stoner comedy, after all), there are some great moments ("Dude, did Doogie Howser just steal your car?" is about as good as this kind of movie gets). However, despite all that, this movie isn't making any money. As of the end of this weekend (it's second in release), "Harold & Kumar" has fallen out of the top ten and has only grossed $15.9M so far. So, the bottom line is, America is not warming to this movie.
I'm really starting to wonder whether America is simply too conservative for stoner comedies anymore. There's no escaping the fact that H&K->WC is all about getting stoned; it's the pot that's the motivation for their frantic White Castle search in the first place. Critics generally dealt with this pretty well (H&K is at 73% positive reviews on www.rottentomatoes.com), but it could be that the movie-going audience doesn't. While critics tend to be older, the prime movie-going audience is in the 18-25 age range, and that younger audience is notably more conservative than older folks these days, especially with regards to drugs (they didn't grow up with the counterculture).
It's sad. No more Bill & Ted's, no more Ferris Bueller... oh, well. At least we're smoking less (aren't we?)
one comment was posted on this back on my old blog:
i agree those movies are some of my favorites….American Culture is way too uptight for this kinda of humor…but hey at least we enjoy it!!!
Tasha (email is waterskiingchk88 at aol dot com) 29 July '05 - 13:32
14 August 2004
Polar Express and the Uncanny Trough
I just returned from SIGGRAPH 2004, and they were showing a bunch of clips from "Polar Express" in several events. Many people there were ooh-ing and aah-ing over it, and I was just puzzled. The footage they have from this film just looks completely unappealling to me (if you haven't heard about this film, it's a children's story where Tom Hanks, via facial & body motion capture, drives all the major characters).
In particular, Lance Williams, a CG industry veteran whom I respect, was talking about how Polar Express will really "change people's perceptions" of motion capture. If it does, I think it'll be for the worse. They had a number of videos simultaneously showing Tom Hanks' live performance and the rendered CG characters driven by the capture. To me, all that you learned by watching those video was how much more compelling the live performance was.
A friend quipped that "Polar Express" could be the American version of "Final Fantasy". The footage shown sure made it look that way.
In particular, Lance Williams, a CG industry veteran whom I respect, was talking about how Polar Express will really "change people's perceptions" of motion capture. If it does, I think it'll be for the worse. They had a number of videos simultaneously showing Tom Hanks' live performance and the rendered CG characters driven by the capture. To me, all that you learned by watching those video was how much more compelling the live performance was.
A friend quipped that "Polar Express" could be the American version of "Final Fantasy". The footage shown sure made it look that way.
15 July 2004
Is Britney Spears the last Superstar?
The new approach to music might mean we've seen the end of the Britney level of global superstars. Music is changing fast (the RIAA's best efforts notwithstanding). We're seeing the end of traditional "Album-oriented Rock" at last; file sharing and legal downloads have both enabled tremendous user choice: you only have to buy the songs you want. That in turn has made the traditional role of the superstar, which is to sell millions of copies of a single easily manufactured physical item, much less important.
Now what matters most is to get a song out there people want to have in their e-music collection, and the number of ways to do that has multiplied. American Idol epitomizes the way in which the once-formidable lock the major labels held on introducing new talent has been attacked by other media. And downloading, especially in the form of iTunes, is its own grass-roots music promotional vehicle; since everyone at my company has switched to pervasive use of the program, the last three new albums I've purchased are music I discovered through other people's iTunes shares.
All of this makes me wonder if we've seen the last of Michael and Britney. It's not that there won't still be stars, for the same reasons there are event movies: we all need particularly popular items to talk about around the water cooler with people we know. But the particular heights of pop stardom scaled by the young Spears, Jackson, or Springsteen may not be needed anymore by the industry.
Before, you needed someone to create excitement and trips to the record store; someone whose multimillion-dollar album production and promotion costs could be trivially offset by the first five million copies sold. Now, the manufacturing, distribution, and inventory issues are gone (or at least, managed by Apple and Real); while promotion is still an issue, it may be more economically productive to have a larger stable of moderate-performing artists who energetically self-promote and use word of mouth, rather than TV commercials, to reach their audience.
Now what matters most is to get a song out there people want to have in their e-music collection, and the number of ways to do that has multiplied. American Idol epitomizes the way in which the once-formidable lock the major labels held on introducing new talent has been attacked by other media. And downloading, especially in the form of iTunes, is its own grass-roots music promotional vehicle; since everyone at my company has switched to pervasive use of the program, the last three new albums I've purchased are music I discovered through other people's iTunes shares.
All of this makes me wonder if we've seen the last of Michael and Britney. It's not that there won't still be stars, for the same reasons there are event movies: we all need particularly popular items to talk about around the water cooler with people we know. But the particular heights of pop stardom scaled by the young Spears, Jackson, or Springsteen may not be needed anymore by the industry.
Before, you needed someone to create excitement and trips to the record store; someone whose multimillion-dollar album production and promotion costs could be trivially offset by the first five million copies sold. Now, the manufacturing, distribution, and inventory issues are gone (or at least, managed by Apple and Real); while promotion is still an issue, it may be more economically productive to have a larger stable of moderate-performing artists who energetically self-promote and use word of mouth, rather than TV commercials, to reach their audience.
12 July 2004
Sweet
This was the best web humor link I've gotten in awhile. From the Merc's "Good Morning Silicon Valley", the "amazon.com contrarian game".
http://www.waxy.org/archive/2004/07/01/amazonco.shtml
Only one comment:
I’ve continued to play this game, and it really does work: pick a classic film/book/CD, go to amazon.com, pick “see all customer reviews”, and sort by rating from lowest to highest.
Leo - 12 July '04 - 00:17
http://www.waxy.org/archive/2004/07/01/amazonco.shtml
Only one comment:
I’ve continued to play this game, and it really does work: pick a classic film/book/CD, go to amazon.com, pick “see all customer reviews”, and sort by rating from lowest to highest.
Leo - 12 July '04 - 00:17
08 July 2004
New wave of Webware
The last couple days have proven how far the web has come from a publishing to a
collaboration medium. So, after watching from the sidelines for awhile, I decided to check out the idea
of blogging recently. It took me about an hour to get Pivot, the software that
runs this blog, downloaded and installed on my server
(which is hosted at WebIntellects on a very basic hosting plan).
A couple days later, something came up in an email group where we wanted to
have a Wiki for the group. It took a little longer to get tiki installed, but tiki is an
incredibly powerful piece of groupware -- although all I've enabled
at www.stoneschool.com/tiki is a forum and a single Wiki,
tiki supports blogs, chats, polls, surveys, etc., etc.
A few years ago I was very involved with the SIGGRAPH website. Website work
involved lots of knowing HTML and CSS at a deep level, and web apps involved
mucking around in PHP and mySQL. Although that's still true, the lesson of tiki,
Pivot, plone, or the many other open-source collaborative software is that I wouldn't
bother; the functions I was ultimately trying to provide are already available
through these mature and highly functional tools. Having started to customize and
override various default settings with both Pivot and tiki, I can't imagine going back
to actually having to build all of this functionality myself (aka with stone knives :-)).
While the plethora of "me-too" products and Microsoft crowding out all other
software vendors can make you cynical about the state of software, the reality
is that a few years of progress, plus things like PHP, Python, and mySQL becoming
part of the expected services from an ISP, have made groupware on the web
trivial to implement. That's a pretty big change from just a few years ago.
collaboration medium. So, after watching from the sidelines for awhile, I decided to check out the idea
of blogging recently. It took me about an hour to get Pivot, the software that
runs this blog, downloaded and installed on my server
(which is hosted at WebIntellects on a very basic hosting plan).
A couple days later, something came up in an email group where we wanted to
have a Wiki for the group. It took a little longer to get tiki installed, but tiki is an
incredibly powerful piece of groupware -- although all I've enabled
at www.stoneschool.com/tiki is a forum and a single Wiki,
tiki supports blogs, chats, polls, surveys, etc., etc.
A few years ago I was very involved with the SIGGRAPH website. Website work
involved lots of knowing HTML and CSS at a deep level, and web apps involved
mucking around in PHP and mySQL. Although that's still true, the lesson of tiki,
Pivot, plone, or the many other open-source collaborative software is that I wouldn't
bother; the functions I was ultimately trying to provide are already available
through these mature and highly functional tools. Having started to customize and
override various default settings with both Pivot and tiki, I can't imagine going back
to actually having to build all of this functionality myself (aka with stone knives :-)).
While the plethora of "me-too" products and Microsoft crowding out all other
software vendors can make you cynical about the state of software, the reality
is that a few years of progress, plus things like PHP, Python, and mySQL becoming
part of the expected services from an ISP, have made groupware on the web
trivial to implement. That's a pretty big change from just a few years ago.
05 July 2004
Crime and Japan
The Japanese have begun to fear crime in the same irrational way as Americans. One of the interesting (if not pleasing) things I discovered on this trip to Japan is that the Japanese are starting to fear crime. After decades of essentially having no crime, in the last ten years Japan has begun to have a little crime. To us, it still seems like the safest place on the planet, but to them its a rising wave of lawlessness. Virtually every Japanese person I talked to on this trip mentioned the increase in criminal incidents.
Sadly, the reasoning and cause both seem to echo some of the bad tendancies of America. A number of Japanese -- especially older ones -- blame the crime on the influx of immigrants, particularly from Korea and China. There are more Koreans and Chinese working in Japan these days as the demographics of a rapidly aging Japan take hold. Whether that really has anything to do with crime is unclear; especially since the criminals chronicled in the media (at least) seem to be mostly homegrown.
What is clear is that, just as in America, it's the media coverage of crime that is generating the fear of it. Statistically, America is actually quite safe and getting safer; as you can guess from that, statistically this "crime wave" in Japan just doesn't register. Nevertheless, given the ceaseless reporting of crime, as well as a few admittedley sensational incidents like the recent 11-year-old stabbing, it's on the mind of everyone there.
Both "Bowling for Columbine" and "Fear: Why Americans are Afraid of the Wrong Things" are good places to follow up this topic.
Sadly, the reasoning and cause both seem to echo some of the bad tendancies of America. A number of Japanese -- especially older ones -- blame the crime on the influx of immigrants, particularly from Korea and China. There are more Koreans and Chinese working in Japan these days as the demographics of a rapidly aging Japan take hold. Whether that really has anything to do with crime is unclear; especially since the criminals chronicled in the media (at least) seem to be mostly homegrown.
What is clear is that, just as in America, it's the media coverage of crime that is generating the fear of it. Statistically, America is actually quite safe and getting safer; as you can guess from that, statistically this "crime wave" in Japan just doesn't register. Nevertheless, given the ceaseless reporting of crime, as well as a few admittedley sensational incidents like the recent 11-year-old stabbing, it's on the mind of everyone there.
Both "Bowling for Columbine" and "Fear: Why Americans are Afraid of the Wrong Things" are good places to follow up this topic.
04 July 2004
Sleeping by the Pacific Ocean is incredibly peaceful, discomfort aside. Last night I was camping at Sweetwood in Half Moon as part of a group celebrating my friend Keith's birthday. I haven't been camping in awhile, AND forgot my air pad. Despite all that, I didn't have any problem getting to sleep or staying asleep -- and I'm pretty sure the primary reason is the white noise generated by the ocean. I think we definitely have an intrinsic like of that kind of random, naturalistic noise.
Of course, the other side was the animal. At 2:30am and again around 4:30am, everybody in camp was awoken by some kind of bizarre animal noise. It definitely sounded either like two animals fighting or one animal hunting another. It was a sort of high-pitched scream that was accompanied by a few other sounds and repeated a few times during each episode. The wierdest part was that although we had five or so dogs in camp, none of them went wild when this happened ("Hey, you big humans can go handle this one").
Of course, the other side was the animal. At 2:30am and again around 4:30am, everybody in camp was awoken by some kind of bizarre animal noise. It definitely sounded either like two animals fighting or one animal hunting another. It was a sort of high-pitched scream that was accompanied by a few other sounds and repeated a few times during each episode. The wierdest part was that although we had five or so dogs in camp, none of them went wild when this happened ("Hey, you big humans can go handle this one").
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