Mesmerizing, I was especially fascinated by the Hummingbird & Dragonfly.
Just let the movies play: Vision Research.
28 January 2008
21 January 2008
19 January 2008
Awesome, awesome things to do with your Wiimote
This guy at CMU has definitely been thinking about creative ways to use the Wiimote! The head-tracking demo is righteous. Leo Bob sez check it out.
http://www.cs.cmu.edu/~johnny/projects/wii/
http://www.cs.cmu.edu/~johnny/projects/wii/
17 January 2008
08 January 2008
05 January 2008
Great book on Japanese Film
My interest in (and even knowledge of) Japanese film started in graduate school. My friend Ken Carson offhandedly said, "Hey, I'm going to go see The Seven Samurai this weekend, want to come?"
"What's that?" I replied, never having heard of the film.
"Oh," Ken answered, "it's the greatest action movie ever made."
I thought that was a bit overhyped, but it certainly piqued my interest, so I went. The next Monday another friend asked me, "So, what did you think of Seven Samurai?"
"Oh," I answered, "it's the greatest action movie ever made."
Since then I've not only watched most Kurosawa movies but moved into the more esoteric realms of Yasujiro Ozu and others. Then, along came Donald Richie's One Hundred Years of Japanese Film, which I picked up at Kinokuniya last weekend.
This is a dense but great book surveying the rise of the Japanese industry (at its height, in 1960, Japan made 537 movies) and the unusual aspects of the industry such as the long tradition of benshi, narrators used for silent movies who surivived in Japan for decades. It also covers fairly carefully the fall of the industry in the 60s and 70s: like everywhere, television was the main culprit, but the Japanese industry's response was in the end less effective than Hollywood's.
There are longish sections on Ozu, Kurosawa, and Mizoguchi but the real appeal of the book is its thoroughness: every studio and many, many directors are described, as are hundreds of films. I wrote a longer review of the book here.
"What's that?" I replied, never having heard of the film.
"Oh," Ken answered, "it's the greatest action movie ever made."
I thought that was a bit overhyped, but it certainly piqued my interest, so I went. The next Monday another friend asked me, "So, what did you think of Seven Samurai?"
"Oh," I answered, "it's the greatest action movie ever made."
Since then I've not only watched most Kurosawa movies but moved into the more esoteric realms of Yasujiro Ozu and others. Then, along came Donald Richie's One Hundred Years of Japanese Film, which I picked up at Kinokuniya last weekend.
This is a dense but great book surveying the rise of the Japanese industry (at its height, in 1960, Japan made 537 movies) and the unusual aspects of the industry such as the long tradition of benshi, narrators used for silent movies who surivived in Japan for decades. It also covers fairly carefully the fall of the industry in the 60s and 70s: like everywhere, television was the main culprit, but the Japanese industry's response was in the end less effective than Hollywood's.
There are longish sections on Ozu, Kurosawa, and Mizoguchi but the real appeal of the book is its thoroughness: every studio and many, many directors are described, as are hundreds of films. I wrote a longer review of the book here.
Subscribe to:
Posts (Atom)